hazelk: (bsg)
hazelk ([personal profile] hazelk) wrote2008-05-31 06:42 pm
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BSG 4.08 Sine Qua Non



Well it didn’t start so badly. The teaser was awesome. The chaos at the Quorum and Zarek taking charge scenes were pretty good. Ditto Adama vs Athena but Romo Lampkin and his quantum feline turning up was like a signal for the subtext to skip the whole text stage and feed directly into the dialogue. By the time Romo was conveniently talking himself through the writer’s room process, white-boarding the name of the once and future president, I’d begun to wonder if it was deliberate. Maybe the whole episode was intended as a bold modernist experiment like one of those buildings with its insides on the outside, a TV case of situs evertus.

Good stuff aplenty in (out) there but it didn’t need Lampkin as the voice of the writers to explain it or randomly develop the worst ever case of Schroedinger’s cat survivor guilt so Lee could talk him (and allegorically all his future subjects) down from it. Again, since wasn’t that what his summing up speech at the end of Baltar’s trial was all about already?

Adama leaving to wait for Laura and appointing Tigh his successor was also perfectly believable if mildly insane but if they needed a bonding scene to represent the old guard falling apart I really don’t think Caprica getting knocked up was the sine qua non to that happening. And if cylon fertility still depends on love the skeeviness of either one of them being in love with the other really doesn’t bear thinking about.

Despite the method of getting there I’m happy and intrigued about where the episode ended up, so am going to pretend everything but the teaser happened off stage and skip straight to musing on the implications of President Leland. His appointment certainly recalls Baltar asking Tyrol whether the fleet was ever going to be lead by someone not called Adama and makes the recent Tyrol/Baltar reconciliation potentially interesting. I also think Romo made a good point that power is never acquired entirely by accident. Lee may not consciously seek power but never doubts that his voice is worthy to be heard. He is perfectly genuine in his idealism but he’s never had to work for it or be polled for it as Laura and Zarek have and is Romo Lampkin the only civilian he knows? One of the themes of the episode as the closing montage made very clear was that everyone has their sine qua non but all the ones they showed were personal. It’s interesting because they had almost the same montage at the end of the miniseries as Adama Senior convinced himself to listen to Roslin but at that point the without which nothing he was adopting was more abstract, a people not a person. With it becoming a person he becomes unfit for power (so why does he trust Tigh with it). But if it remains abstract then there are Laura’s dilemmas to face of always putting the people above the person and to what extent the necessary thing is the people or the power to work for them.

In other news thinking about Natalie’s real death her newfound belief that life only acquires meaning through death feels related to the damm cat somehow. Death opens Schroedinger’s box and collapses the superposition of real and unreal. Death is Doc Cottle in a white coat but he’s not in the opera house so not the fifth. Although it make a certain kind of sense that the fifth would be a physician, a guide on the way into life and out of it. Death is something that can’t be projected away and it has to do with identity as well as immortality, while the cylons retained their shared sense of self another Sharon could see Athena on tape and say “Look I’m alive.” A habit which dies hard. Athena shoots Natalie because to a Cylon, even though she rejects that side consciously, any Six is everySix and maybe Athena herself is still everyEight with the ghost of Boomer’s programming still latent.

[identity profile] aycheb.livejournal.com 2008-06-01 07:03 pm (UTC)(link)
I think they gave Romo way too many jobs for one guest star to carry. He had to guide the audience (quite unneccessarily) through accepting Lee's appointment, nudge Adama Snr into backing down from sending the whole fleet after his girlfriend and be the psycho to test Lee's President fu at gunpoint.

The promo pointing to Roslin as the fifth looks like a fake cut but I still say its more interesting what they are than who. What's the relationship between their Opera House forms and their bodily incarnations? If they're from Earth when and how did they get here? The Opera House was on Kobol so where does that fit in with the Earth timeline?And so on and so on...