Meta-meanderings
May. 25th, 2005 03:07 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Reading reviews of the last of the Star Wars films is interesting. One of the most common reactions seems to be a certain disappointment with the story of Anakin Skywalker’s fall or at least with it’s execution. I’ve read people talking about how they’d looked forward to seeing this story since the first trilogy made it clear that Luke’s Father hadn’t always been evil and been reminded of a similar experience I had with the prequel to the Lord of the Rings. I must have read the book at least 20 times as a teenager and the thing that kept bringing me back after the first few reads was very much the desire to find out more about the back story, the battles of the First Age, the nature of the Great Enemy, the story of Beren and Luthien. So when The Silmarillion came out I could hardly wait to get hold of it and devour all that information.
I was never so disappointed in my life. The book delivered, I had all the answers but they felt so much better as questions. Perhaps some things are just better viewed through a glass darkly, put a spotlight on them and they shrivel and die, all mystery gone.
Another interesting thing about RoTS was the idea that part of Skywalker’s fall and the Sith’s evil was due to an inability to accept the inevitability of death, their own or other's. The desire for eternal life seems a common root for evil in fantasy. It’s there in Tolkein with the fall of Numenor, integral to U. K .LeGuin’s Earthsea series and present with Voldemort in Harry Potter. Not in Buffy though, there the villains already have immortality. What they seem to lust after is corporeality/mortality. The First, the Mayor even Angel/Spike with the desire to Shanshu. Is that an existentialist’s perspective? To be afraid not of death but of lacking reality?
Staying with Buffy but returning to the problems of prequels it strikes me that some of the issues people have with S7 may have to do with it being a complete failure in the prequel department. I mean chronologically it’s not a prequel but there was all that back to the beginning schtick and what looked like a return to mystical adversaries after S6 and the nerds. Being the last season maybe it wasn’t unreasonable to expect some clarification of the Slayer mythology and yet all we got was a deeply unsettling version of the origin story in GiD and further muddying of the issue with Beljoxa’s eye dropping hints about a weakness in the line and the arrival of the Guardian and the discovery of the Scythe. More new questions than answers, this season wasn’t an clarification of the Slayer myth but a critique.
no subject
Date: 2005-05-25 06:59 pm (UTC)I’m not a fanfic writer. It shows.
no subject
Date: 2005-05-25 09:07 pm (UTC)Props to Joss, he created a superhero system with a built-in angst system. Spiderman, the Teen Titans and the New Mutants never mourn the idea that they're guaranteed a young and painful death and thus lose this possibility of plot.
no subject
Date: 2005-05-26 09:20 pm (UTC)Back in the day it (Yes Minister) used to get props for being accurate as well as funny but I thnk power has moved somewhat away from the mandarins now. I suppose with the advent of the internet it's much harder to convince people that the knowledge base can only be accessed by the appointed experts. Kind of reminds me of a discussion on
no subject
Date: 2005-05-26 09:55 pm (UTC)I can't force it beyond that, but I'll put it on the back burner.
And a lot of it is knowledge of how things work.
MY major objection to "Slayer School" fics is the decentralization angle. As