hazelk: (john and sarah)
I’ve been on holiday all through Vividcon and its aftermath hence radio silence. I hardly know where to start but these are the two vids that stood out for me most during the first frenzy of downloading.

Land by [livejournal.com profile] sweetestdrain
Johnny Rotten is full of it )

Bachelorette by [livejournal.com profile] obsessive24
I'm the branch that you break )
hazelk: (vidding)
Your software: Final Cut Express 4.0.1
Favourite video: Hard to answer because it changes so often. I think Scarlet Ribbons is my best but it’s rarely my favourite, possibly for that exact reason. Favourite right-now, this-minute would be the Gilda vid I did to Rock Steady, I’m thinking of getting back into movie vidding or at least source where I’ll know how it ends before I start and the footage is guaranteed logo-free.
Least favourite video: I have some affection for all my vids even the crappy ones (especially the crappy ones) so I’m going to cheat and go for the one vid I started but never finished. It was going to be an Oliver Cromwell vid to John Lennon’s “Free the People” using The Devil’s Whore and bits of David Starkey’s “Monarchy” series as source. I got as far as half filling the time line but it was a struggle. Partly through lack of source since The Devil’s Whore really wasn’t about Oliver Cromwell but more because, although that series was very shiny to look at, making the vid it became clear that it was a very painterly kind of shininess, great for set pieces and tableaux but I was finding it impossible to get it to move. At about that I point I also discovered that I’d completely screwed up calculating the aspect ratios when I was ripping and screwed it up in different ways for the two different sources so I decided to take this as a sign from the vidding Powers That Be and press the abort button. It felt good.
A video that got surprisingly good feedback, but you are not completely satisfied with it: I think Nobody Loves You benefited from coming out when it did, just after the series ended. It was a vid that took a long time to make. Life was getting in the way but I was also making it in series realtime and gambling that the season was ultimately going to give me something I could use, so it couldn't be finished until the end of the show. I think, partly because of that long gestation, it feels a little less than the sum of its parts.
A video you like a lot that didn't get the good reaction you were expecting: An older Buffy vid Mr. Sellack. I like it because it seemed a different take on the character (there are still surprisingly few vids about Buffy qua Buffy) and the song is an old favourite. I wasn’t actually expecting much feedback, so was pretty happy with what it got at the time (and it also got a really good write up on The Reel).
Best song/video combo (the song you chose was just perfect for the theme): I’m going with Mandalay, which is possibly cheating again because this was one where I had a theme ready to go and scanned through all the Kurt Weill tracks on iTunes to find the best fit. I was pretty sure I’d come across something but this one jumped out and headbutted me with its appropriateness within the first few seconds.
Video you had the most fun with: Babies. Because I am twelve and mixing space porn with evolutionary theory is never not funny.
Video you had trouble editing because of the song: Scarlet Ribbons was hard because the song was so slow and practically a cappella. My brain doesn’t do music theory, I think I ended up calculating a tempo by tapping out the beat and averaging, making all the clips fractions or multiples of the number of frames that gave and then tweaking things until they looked about right. In other words making it up as I went along.
A video you'd like to remaster: If they ever make avisynth for Macs. All of them.
Most inspired sequence you made: I like the intro to Safe a lot. That was a sequence that worked almost exactly as I’d hoped it would, plus the fact that it did legitimized using the ‘papers/documents’ as a recurring metaphor throughout the vid.
Movie/show you have most enjoyed using for a video: Minority Report. Movies are different from TV and I didn’t fully appreciate the sheer precision of Spielberg until making Silence.
Pet peeves: Most of my peeves aren’t specific to vidding. Excessive manpain for example. Or they’re not peeves so much as peevishness. Like being annoyed by people making good vids to shows/movies I hate – if I ever see a decent vid of The English Patient I think my head will explode. Vids that are all boyface or girlface make me uncomfortable, which could be a proto-autistic thing but I think varying focal length and including footage of things as well as people is to be encouraged.
hazelk: (marx)
I think a Marxist reading of Dollhouse works best and no one plays musical Marx better than Kurt Weill. With or without that Brecht guy. Youkali Tango is intended as a doll’s eye view of the show - an interpretive dance of false consciousness. Mandalay speaks for the clients (and not so much with the dancing).

Title: Youkali Tango
Song writers: Kurt Weill & Roger Fernay
Artists: Jeff Cohen, John Mauceri, RIAS Sinfonietta Berlin & Ute Lemper
Fandom: Dollhouse
Spoilers: S1.1-12
Warning: Scenes from the show
Format: DivX
Size: 42.7 MB

Summary: The sigh of the oppressed creature, the heart of a heartless world and the soul of soulless conditions. The opium of the people.


Download here (Right/control click and save target as)
Stream at BAM here. Embedded below.
Lyrics with translation













Title: The Mandalay Song
Song writers: Kurt Weill & Bertold Brecht
Artists: The American Conservatory Theatre Cast
Fandom: Dollhouse
Spoilers: S1.0-13
Warnings: Sexual assault, institutional rape, violence, exploitation, abuse and bloody revolution
Format: DivX
Size: 34.8 MB

Summary: The universal prostitution of the worker


Download here (Right/control click and save target as)
Stream at BAM here. Embedded below.
Lyrics












hazelk: (vidding)
Long time no post but some vid recs:

Fever by [livejournal.com profile] sweetestdrain
When you kiss me I want to die. Twilight.

I've been to a marvelous party by [livejournal.com profile] charmax
Like the periodic table of party.

DLZ by [livejournal.com profile] bop_radar
Like the show, this T:SCC vid is hard to condense down to a single phrase. It has density, it has layers. After multiple rewatches my abiding impression is of how inimical the state of perpetual war is to human life. Machines inhabit the drowned, post-Judgement Day world like fish, like eels, while the humans struggle for breath and lose everything they once held dear.

Order in the Sound by [livejournal.com profile] chaila43
Although this is based on Battlestar Redactica it works quite independently. It’s a beautiful, strange synthesis of women and architecture, bodies and buildings, music and mathematics in which Bob Dylan is not God.
hazelk: (ellison)
Title: Nobody loves you
Artist: Garbage
Fandom: Terminator and The Sarah Connor Chronicles (all S1&2)
Characters/Pairings: James Ellison and the unholy family
Format: DivX
Size: 48.7 MB

Summary: Follow the yellow brick road

Download here (Right/control click and save target as)

There’s no place like feedback!

Lyrics  )
Notes )
hazelk: (sellack)
This year I made three vids, the same number as last year so at least the rate is plateauing not falling. In order of release they were:

Just BtVS (Faith character study).

Scarlet Ribbons BtVS (Slayer feminist fairy tale).

Silence Minority Report (with an Agatha focus).


My favorite of my own vids this year/my best vid this year:
Scarlet Ribbons. It went through so many drafts that I could pretty much describe it frame by frame purely from memory but despite various technical flaws it’s the one vid I’ve made where every single one of those frames has a reason for being there and for not being something else.

Vid of mine most underappreciated by the universe, in my opinion:
Silence. but to be honest what (numerical) underappreciation there was, was proportional to the obscurity of the source.

Most fun video:
Silence. It was completely unplanned and although I went into with no expectations beyond the pretty I ended up working through some major Spielberg issues and finding the story I wish the film had told. Plus pretty (although I wish I could think of some way of making the vocal section more distinct visually).

Video with single sexiest moment:
I suppose Just came nearest to being literally sexy because, well Faith. If sex equals violence the whole final section of that vid is the sexiest thing. However, if sex equals emotion the moment in Scarlet Ribbons when Kendra catches her throat is sexier still.

Biggest vid fail:
Releasing Silence without checking and belatedly realizing that the entire second half of the vid was two frames out of sync with the music.

Hardest video to make:
Scarlet Ribbons but hardest in a good way. A mixture of really, really needing to get it right and having a wonderfully insightful and critical beta from elynross.

Most unintentionally *telling* video:
Scarlet Ribbons again. There’s a lot of that vid that’s intentionally revealing about the show and feminist mythologies and eavesdropped academic theories but the emotional drive behind it is all about mothers and daughters and hopes for the future.

The things I’ve learned this year:
Patience. You think the vid is ready? Give it at least one more week, look at it again and expect to spend at least one more week re-editing. Also the beta maketh the vid and Vividcon audiences are awesome.

For 2009:
I think my plan last year was to learn about masks and tracking mattes. This is still the plan and therefore unlikely to happen but I just though I’d put it out there. Something more achievable effects-wise is to learn how to do rapid zoom transitions (I have a vidsong with much slide guitar). I’d like to beta more (well at all) if anyone will have me. Finally and as far as specific vids go I have three ideas. Two terminatory and a character study of (God help us) Oliver Cromwell but last year I ended up not making anything I had planned so probably the less said the better.

Vid chatty

Nov. 15th, 2008 07:07 pm
hazelk: (sellack)
Some thoughts, very late thoughts, in response to [livejournal.com profile] bop_radar’s excellent vid chat on lyrics and literalism. Most of what can be said has been but one thing I don’t think I saw mentioned was using lyrics for the physical sound of the words as well as their meanings. There’s a line in “Scarlet ribbons”

All the stores were closed and shuttered

Sinead does a sort of staccato thing on the word “shuttered” that made me think of the clack, clack, clack of someone going down stairs so I used that. The image fits thematically as well – onomatopoeia like pure literalism isn’t sufficient to make a clip work but I think it can add something to a sequence.

The most recent vid I made was to a song with almost no lyrics and it was interesting to find that it didn’t feel a radically different process to the previous ones. Being musically somewhat illiterate it took longer to work out the structure of the track but that done it was still very much a matter of deciding what each section was going to focus on and using the musical accents and ornamentation the way I’d usually use words to guide the specifics. It was freeing in many ways.

I do think [livejournal.com profile] laurashapiro had a very good point calling lyrics the enemy. They’re like the serpent in the garden, endlessly tempting with their “look at me, ignore all the other stuff going on, make it about me!” But if the song is good, or at least coherent, and supports the story you’re trying to tell words can be just as flexible as music in their interpretation. One exception maybe, lyrics (if audible) can specify a POV in a way that music alone cannot. If it’s a first person lyric it’s possible to shift the ‘I’ of the song from one protagonist to another, it can be the making of a vid, but it’s not a trivial matter. For instance, I know it’s not exactly a vid but I really like the way the opening sequence of the T:SCC second season premiere plays with the identities of its Samson and its Delilah but the song is third person omniscient. If instead of Manson-out-of-Springsteen they’d decided to use the Tom Jones version of “Delilah” such a fluid approach would likely have been impossible, although there are probably other reasons they didn't go that route.
hazelk: (vidding)

Title: Silence
Artist: Portishead
Movie: Minority Report
Format: DivX
Size: 52.9 MB
Summary: I’m tired of the future

Download here (Right/control click and save target as/download linked file)

Feedback is quietly appreciated

Lyrics  )

Notes )
hazelk: (sellack)

Thinking about how song choice affects people’s reactions to vids (because [livejournal.com profile] bradcpu  was talking about it earlier this week, or was it last week, I have no sense of time).

Most vids I don’t know the song beforehand or even if I do having visuals make the experience a little like hearing it for the first time. A good example would be Handlebars by the Flobots which I first encountered on YouTube and was quite underwhelmed by. I’m not sure why because the official video is actually pretty awesome in a “Two Little Boys” kind of way but I think I switched over to something else before the song had a chance to build. Then [livejournal.com profile] kiki_miserychic  made a BSG vid to Handlebars, which was wonderful and made me fall in love with the song because now I could see what it was all about and what S4 was about and it was smart and funny and hit you in the gut with its (with hindsight) completely inevitable ending that I still did not see coming. Coming out of Vividcon there were two more Handlebars vids, which didn’t have the advantage of surprise but as it turned out the song was big enough for all three of them because they all make slightly different points. They’re all about hubris but in the BSG version it’s humanity’s pride before a fall; in the Iron Man version it’s one man’s journey to playing god and in the Dr Who version a god who plays at being a man - the journey is in the viewer’s perception of him.

So in conclusion I suspect most songs have more than one vid in them, or can be made to have through visual manipulation of their audience. That sounds like I’m saying that the visual aspect is completely dominant but I don’t mean dominant in a master-slave way. More like a dance where one partner leads but the success of the dance depends on how they work together. I think problems arise with songs that for some people come with so much emotional/political baggage that they’re leaders not followers. Then instead of a Rogers/Astaire coupling you have two virtuosos battling it out (if anyone’s ever seen the movie he did with Eleanor Powell you’ll know what I mean). Trying to come up with an example of a song with that kind of specificity, I think the best description is an article I read in the Guardian last year, in which Caryl Phillips traces his history with the Billy Holliday standard “Strange Fruit.” It’s got nothing to do with vidding but I think the point is a wider one and worth reading.

VVC talk

Aug. 24th, 2008 09:48 am
hazelk: (Default)
I was going to be organised and do show by show reviews of all the VVC vids but RL pretty much precludes that ever happening, so this is more of stream-of-consciousness approach scribbling down thoughts as they occur. First off reactions to three of the most pushing-the-meta-envelope vids of the con:-

How Much is that Geisha in the Window? by [livejournal.com profile] lierdumoa for the “Fuck You! Challenge show

White America anonymously for the same

Climbing up the Walls by [livejournal.com profile] obsessive24 for Premieres

Read more... )
hazelk: (buffies)
slayers

Your faces, O my sisters! Your faces filled of light!


Title: Scarlet Ribbons
Artist: Sinead O’ Connor
Fandom: Buffy the Vampire Slayer (and a little Angel)
Characters/Pairings: Slayers
Format: DivX
Size: 44.8 MB


Download here (Right/control click and save target as)


Major thanks to [livejournal.com profile] elynross for betaing a very hungry caterpillar of semi-digested ideas into something like a butterfly.

Feedback shops and sneezes and makes ready to be strong

Notes )

Lyrics  )
hazelk: (just faith)

Title: Just
Artist: Radiohead
Fandom: Buffy the Vampire Slayer (and not a little Angel)
Characters/Pairings: Faith
Format: DivX
Size: 49.5MB
Summary: Back to the start


Download here (Right/control click and save target as/download linked file)

Extreme thanks to [livejournal.com profile] bradcpu for betaing (it’s a Faith vid – who you gonna call)?

Feedback really hurts (but in a good way)

Actual notes )

Lyrics  )
hazelk: (sellack)
Faith vid is racing along. She’s such a kinetic character, it feels as if all you have to do is throw random clips at the timeline then sit back and squee. Well there’s the tagline to write but that came fairly early on. I actually find it much easier to vid once the summary’s done, I have a tendency to think in headlines or captions and having one for a vid gives me something to build around.

So just the titles to do and two bars of intro - at this rate it’s going to take weeks rather than months. At least I think it’s two bars. I seem to be incapable of parsing musical structure intellectually, it’s as if there are no audio jacks attached to my left brain or something. This was part of the reason the VVC vid took so long, it’s the first vid I’ve made in a while without marking out the beat and that was basically due to having no idea where to find it in a song that was both slow and as good as dammit a cappella. I pick up emotion from music and have a reasonable sense of rhythm but that’s a body thing not a brain thing. So for marking out beats I’m basically reduced to tapping along to the music and watching what my hand does as if it were some alien entity. Does anyone else have this sort of musical dyslexia? You hear so many really good vidders talking about having poor visual memory, me I can’t remember music. Other than by singing the whole song until I get to the relevant part - it’s lucky most pop songs are only 3 minutes long.
hazelk: (Default)
Jolene by [livejournal.com profile] nicole_anell
Fabulous look at Cally and her tragic lack of fabulousness.

Ghosts by [livejournal.com profile] beccatoria
Haunting study of Caprica Six, like the little mermaid doomed to be always slightly out of phase with the brave new world she made.

Hera has six mommies by [livejournal.com profile] tallulah71 for [livejournal.com profile] cyborganize
Fascinating and not a little addictive. The women whirl past as if in a game of ‘Oranges and Lemons,’ connecting to tell a chain story like the bells in the song. Hera runs through the middle. “Here comes a candle to take you to bed. Here comes a chopper to chop off your head.” Beautiful, in all senses of the word, queer and strangely heart warming in one.
hazelk: (sellack)
So finally the vid I’ve been working on intermittently since January is done. Done and uploading to VividCon as a non-attending premiere. Yay!

But already there’s somewhat of an empty nest feeling in its wake. What next?

Back in April when I thought it might be almost done and posted in the normal way the follow up I had planned was a BSG threesome/Three vid mostly because I needed to vid something faster. Less serious, more shiny and not requiring seven seasons (plus some comics and chunks of AtS) of source material. I have that clipped and the song edited but now feel a terrible reluctance to get down and actually do it. It’s the song mostly, I like it but it’s turned out to be more of a surface attraction and it’s not going to be able to sustain the level of repetitive obsession that vidding requires. I also think there’s too much going on in BSG to want to vid any of it before the end is clearer. So no Battlestar, which also puts the class struggle with robots option up against the wall.

I had a Heroes idea. Two actually one about Nikki and the other a sort of Guinness advert crossover about Mohinder’s evolutionary imperatives. But about halfway through season two the love is just not there. It’s patchy, there are still characters and story lines I care about and potential for more now Hiro is back but the Nikki vid is definitely off. Which leaves, and I fear this, a completely new idea about Faith and before this Slayer opus I was so not the person to vid Faith. Probably still not but there’s this perfect, perfect song, which is Faith and no-one else and comics Faith. Comics!Faith wants me to make this vid. It just has to be a really bad idea.
hazelk: (sellack)
1) When did you first start vidding?
I made my first vid
back in 2005. Three years ago! But I vid very slowly so in human years that’s probably closer to one.


2) What would you say was your inspiration or motivation to start doing it?

Seeing other vids. In particular vyra’s Killer and sdwolfpup’s Coin-operated Boy, which made me realize you could put pictures to music and have them say something as well as be shiny to look at. I had very little faith in my ability to make shiny but I had stuff to say and I’ve always liked mucking about with graphics programmes…

3) What do you or have you vidded?
Buffy, Angel, Serenity, Battlestar Galactica, Children of Men, Gilda and currently Buffy again.

4) Where do you draw your inspiration from for vids? Is it the song? An idea? Someone else?

A mixture of the song and the idea. For my early vids it would often be a hook line calling up a particular image from the show, which would then make me think of an idea I’d had about a theme or a character. More recently it’s tended to be the music/song as a whole rather than individual lyrics that evoke that initial visual.

5) What was your favorite video to make or do?

Rock Steady. I even enjoyed the clipping part and the music was so much more upbeat and dancy that anything I usually vid, it was a blast. I also started the vid having absolutely no faith it could work so when it started to come together on the time line it was like Christmas came early.

6) What was your least favorite video to make or do?
I don’t know really, I liked them all when I was making them. Some of them not so much afterwards.


7) Which video are you most proud of?
Quantum Theory. I have a tendency to overthink my vids but in this one I felt that I’d managed to capture the emotional response to the movie relatively honestly and directly. The source was also so beautiful (in its own dystopian way) working with it made me appreciate the film even more.

8) What's the best feedback or comment you've ever gotten?

I think I’ve been very lucky with feedback. I had some very helpful comments on my early vids, critical but encouragingly so (I’m pretty thick-skinned so criticism is much, much better than silence). It’s hard to single out comments, feedback from people you know and respect is thrilling, feedback from total strangers is surprising and delightful. Theoretically the feedback I like best is the kind that opens a conversation about the vid but I’m not very good at sustaining online conversations so it probably doesn’t show.

9) What is your opinion on clip theft?
Never been an issue, I think I’d be more baffled than anything if it happened.

10) Favorite genre to vid to (comedy, angst, romance, drama, AU)?

Character/universe vids. Really I’d like to do comedy. Really, really I’d like to do musical comedy. One day.

11) Favorite pairing(s)?

Haven’t vidded pairings much. Am planning a threesome for Vividcon 08 but it’s a secret.

12) What just drives you up the wall when it comes to vidding?
The urge to post as soon as the timeline is filled. Sometimes it gets overwhelming. Or possibly aspect ratios. Do you realize that not only do the R2 BtVS DVDs switch from 4:3 to 16:9 
for seasons 4-7 but that every 16:9 and 4:3 season is subtly different and needs to be re-sized/cropped using a different algorithm? Well they do. I know that now.

13) Is vidding a pastime, hobby or something to help gain experience to do more later in life?
A creative outlet? Something you make with your hands. I’ve missed that since more or less stopping bench work.

14) What is your latest project or idea for your next vid if your muse isn't dead?

The special sekret OT3 vid. Then the one about dialectical materialism and the Heroes/Life on Earth crossover.

15) Finally, what kind of words of wisdom would you offer someone who wants to vid/is a newbie?
Just do it? Then rip it up into tiny shreds and stick it back together again. It’ll be fun!

Vid rec

Feb. 26th, 2008 07:24 pm
hazelk: (Default)
Origin Stories by [livejournal.com profile] giandujakiss has been recced all over and much commentated on already (also here). These are my mixed-up and conflicted responses:

Let her speak )
hazelk: (bsg)
Lots of vid stuff going around the reading list with VVC registration squee. Also squeeful is the new community [livejournal.com profile] halfamoon “a fourteen day challenge celebrating female characters in fandom, which will run from February 1 through Valentine's Day.” Contributing in spirit, I finally re-mastered (and ended up slightly re-editing) my Laura Roslin vid from last year Safe from Harm.

Download the shiny new version from here (Right/control-click and Download Linked File) and there’s also some rather long DVD style commentary about it below.

Background )

Commentary  )
hazelk: (Default)
Day the last and two very different vids to finish with:

Grace by [livejournal.com profile] whereistheluv

Emotionally intense and a welcome reminder of how beautifully shot the later Harry films are. The sense of isolation and loss is almost overwhelming, the ending (especially the last three images) affectingly understated.


Short Skirt, Long Jacket by [livejournal.com profile] talitha78

I didn’t know Smallville had a Lois! And I imprinted on Terri Hatcher but this vid blasts through that dusty old image like a breath of fresh form Metropolis, sassy yet klutzy, no-nonsense, smart-mouthed, body to die for and knows it but doesn’t care air.

ETA: And just to show how doing this challenge has helped me get over various show issues another rec for the utterly delightful, de-lovely and above all delicious Java Jive posted today by [livejournal.com profile] bop_radar

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